The scene with Ruby was shot with close camera angles in a very tight space that was mostly shadowy and dark. We only ever got partial shots of her nude body, and they were things like close ups on a clenching fist or her feet straining against the bonds or the blade of the knife. It was claustrophobic and psychologically charged, and of course Alastair is AWESOME. We also got a shot of Ruby's bloody gash, too.
But with Meg, we start off with a full body pan that includes her lower body (we never saw Ruby's) and lots of gratuitous flesh shots. It's a *very* well lit open space and the focus of all the shots is pretty clear: her exposed body, period. We didn't even get a shot of any wounds -- so that's seriously the whole point, torture has like nothing to do with it! Also, Christian is boring and flat and brought nothing to the scene; he *so* does not have the dramatic flair of Alastair. And the dialogue was just a bunch of super insensitive rape innuendo. LIKE WTF?
I guess what I'm saying is that Ruby's torture scene was done as artistically as possible, where Meg's was much cheaper and showy. Neither scene really contributes to the plot anyway; but they're two different brands for sure.
This is just another instance where Sera Gamble tries to pull off something that Kripke had already done earlier, but misses the mark and that certain je ne sais quoi, and whatever she's trying to do becomes the less awesome, unepic b-side ripoff. In this case, it also becomes inappropriate and insensitive. In conclusion, I love Pizza!Cas.
Right now I'm sitting in an ugly break room with aching feet. Very late tonight, I will go home to enormous amounts of homework. I hope you all are in happier places than I.
Ruby's scene ---
Note the awesome establishment shots of various body parts.
This is the only shot where we see the lower half of her body.
Ruby's eyes are black because Season 4 was epic and hardcore. Meg's were not because Sera can't keep track of important niche details like this. High King and High Queen Edmund and Lucy, everyone.
Alastair is actually *interrogating* Ruby -- he stays near her upper body so he can talk to her in his creepy way. His torturing style is paternal and methodical; during this scene Alastair also mentions that he was a Nazi. Note the close angles, shadows on Alastair's face, and the highlighted sheen of sweat on Ruby. This is like the cinematic equivalent of Caravaggio.
The one, brief wide shot of this scene. Note the dark room with detective-style interrogation light.
The shot of Ruby's wound (Alastair's work, evidence that he actually accomplished something and the torture scene wasn't a complete waste of screentime).
Meg's scene ---
Establishment shot is a wide full-body pan of her strapped in.
She has no wounds yet, and it's sort of like a pristine presentation of her exposed flesh on a silver platter. Literally.
Camera lingers on this image in a slow zoom, unlike Ruby's scene that (besides the establishment shots) was done with a shifting close cam. And like, HOW WELL-LIT is this scene?! It's screaming LOOK AT HER THERE.
A skeevy *very* objectified shot where Christian strokes Meg with the knife (between the breasts). It is interesting to note that Alastair also does this (he strokes Ruby's cheek with the knife blade while they are at the crossroads) but it doesn't have the creepy sexual overtones that Christian's gestures do. Actually, the dynamic between Ruby and Alastair is NOTHING like Meg and Christian's. Except for the fact that Ruby is strapped down naked, there's nothing sexual or rape suggestive in their dialogue/interaction.
A shot of Meg looking *down* indicating the attention on the lower half of her body. You can seem some shallow wounds now, randomly placed because Christian is a totally incompetent torturer, and anyway his big focus is not on Meg or any information she might have to tell him. Otherwise he'd be close up like Alastair was.
A close up of Christian popping up from (presumably) between Meg's legs like a psycho gynecologist. They trade barbs with rape innuendo -- it comes from both of them, and is REALLY UNCOOL. WTF SHOW.
Even when Dean comes to rescue her, they make sure to include as much of Meg as they can fit in there. Like really?
I also want to point out that what we saw in Ruby's brief scene was her breaking point -- Alastair had presumably been torturing her for a considerable amount of time, and their dialogue is some torture, some concession. Things are *accomplished*, sort of. There is drama and conflict. But Meg's scene is half Christian contemplating her body, half her screaming/giving snarky attitude implying she's being knife-raped. (read: WTF ANGER.) The upper body-lower body distinction is absolutely crucial here. In conclusion, S4 will be forever epic and S6 continues to make me angry.
And okay, I wasn't going to include this because it's seriously Hebe all over again, a mark of my utter visual nerdiness, but. I noticed it when I was capping and I know Meto will get a kick out of it.
This is the only full-body image we have of Ruby being tortured. Tilt your laptop screen down and look closely -- see in the knife? There's a refection of Ruby laid out/strapped in. You can *just* see the wide bottom strap at the base of the hilt, the boob strap in the middle of the knife teeth, and near the top, the chin strap. They look like dark stripes going across the surface of the blade. [/nerdness]